Borders

Posted by on Feb 27, 2013 in Blog, Photography |

Rose-colored cameo pendant, edited with a brushed-on-style border for a painterly effect

Rose Cameo | Feb. 16, 2013 | 2:39pm | Rexburg, ID | f/5.6 | 1/500 | Canon EOS Rebel T3

I learned this neat border trick from Caryn Esplin’s book, Custom Images. To get this effect, I set a black mask over the image and a white layer behind, then I used white on an assortment of thick, heavy brushes to “paint” the image back in, leaving the white background layer to show through as a border.  I really like the effect that the lowered opacity on the brushes gave me.  I’ll definitely be using this again.

This is the original image:

Rose-colored Cameo pendant

Rose Cameo Original

 

 

Purple flowers with a burned border

Purple Flowers | Jan. 24, 2013 | 11:46am | Benson Greenhouse, BYU-I; Rexburg, ID | f/6.3 | 1/80 | Canon EOS Rebel T3

This is another neat border technique, and a relatively simple one at that.  I just duplicated the layer, set it to multiply, and then used the rectangular marquee tool to delete the center, leaving behind the darkened edge.  I then applied a 10px stroke in a light lavender color and duplicated the multiply layer to darken the border even more.  It ended up being too much so I scaled down the opacity on the second multiply layer.  And, voila!  This isn’t one of my favorite images, but I think the border helped salvage it, along with several other edits made in camera raw.  The original is below:

Purple Flowers, no edits

Purple Flowers Original

 

 

white flower with border

Fleur | Jan. 24, 2013 | 11:55am | Benson Greenhouse, BYU-I; Rexburg, ID | f/5.6 | 1/100 | Canon EOS Rebel T3

 

This border effect was more complicated than the others, only because I’ve never used the rectangle tool.  I started by cropping it and then adding to the canvas to get the white border.  Then I added a white rectangle using the rectangle tool, and masked out part of it using a black rectangle tool.  I applied a motion blur to the inner border and lowered the opacity of the layer to soften the border.

The original:

white flower

Fleur Original

 

 

Light framed in fine art template

Fine Art Framed | Feb. 26, 2013 | 8:39pm | Rexburg, ID | f/5.6 | 6/0 | Canon EOS Rebel T3

This is a really elegant framing technique Caryn Esplin learned from Scott Kelby and shared with the class.  I created the template by using the rectangle tool to create black “windows,” and then I posted the photo over the template and converted it into a clipping mask.  I finished it off by adding my logo on the bottom.

The image is a variation of the light painting I posted before:

Treasure II Original

Treasure II Original